In case you missed it, this post is part of MovieRob’s Genre Grandeur on Foreign Language Films (2013-present).
Taiwanese director Hou Hsiao-Hsien won the award for best director at the 68th Cannes Film Festival for his brilliant work in 2015’s The Assassin. Hou Hsiao-Hsien’s unique vision transcends The Assassin from a martial arts film into an art-house cinematic experience. However, I wouldn’t expect The Assassin to be highly influential in the wuxia genre, not because it isn’t deserving to be, but it purposely avoids many traditional tropes and conventions for what makes for a crowd pleasing, popular martial arts film that few directors and movie studios would likely follow in his forward thinking footsteps.
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